Director: Dean Puckett
Writer: Dean Puckett
Starring: Molly Casey, Emilia Copeland, Grant Gillespie, Oliver Monaghan, Denise Stephenson
In an isolated church community in the English countryside, a powerful hate preacher prepares to deliver a sermon to his flock, but his daughter has a secret that could destroy them all.
A melancholic tone pervades through the opening establishing shots of a craggy, desolate landscape before THE SERMON begins in quite a literal sense with a preacher (Oliver Monaghan) delivering a damning tale to his isolated community.
We hear an attack on immorality and on homosexuality as the preacher goes on with his damning stereotypical rhetoric before we bear witness to hypocritical and brutal judgement on those deemed abominations, courtesy of God’s children.
Powerful and intelligently composed, within the opening five minutes writer/director Dean Puckett has presented to us a tale about ignorance, hatred and perhaps equally as damaging, about conformity and the betrayal of ones own feelings and ideas. Or so it would seem but there is something darker lurking underneath.
If the script is to be commended, then so too is the cinematography, courtesy of Ian Forbes. THE SERMON through the utilisation of 35mm film manages to succeed in its aim of being reminiscent of seventies folklore horror, meanwhile the muted almost drab colour palette especially when combined with the bleakness of the surrounding countryside is a perfect representation of the limited and dare we say empty mindset of those living in the small rural town,
Although the resolution will not come as a surprise to many, at only eleven minutes long THE SERMON certainly does not overstay its welcome but rather serves as a highly entertaining and polished piece of work, the likes of which are a rarity these days [no Stewart Lee references please].
Tackling intolerance, ignorance and dare I say love in a small isolated religious community, THE SERMON is more than worth your time.
There are a few other elements that I have not touched upon in this review (the terrific music courtesy of Bizarre Rituals being one) which I will leave it for you to discover, to make your own interpretation and to draw your own conclusion.
This film was a collaboration between Grasp The Nettle Films and the Creative England/BFI Network and on the evidence of THE SERMON and Dean Puckett’s previous short of the same year (SATAN’S BITE: OR THE FOOLISHNESS OF THE WITCHFINDER THOMAS EASTCHURCH) this is a director with a very promising future.
If you wish to see THE SERMON for yourself, and I suggest that you do, then you can view it for free on Vimeo.