Alternative Titles: 7, Hyden Park: la casa maledetta; Formula per un assassinio; Das Haus der Verfluchten; Formule pour un meurtre
Director: Alberto De Martino (as Martin Herbert)
Writers: Alberto De Martino, Vincenzo Mannino
Year: 1985
Starring: David Warbeck, Christina Nagy, Carroll Blumenberg, Rossano Brazzi, Loris Loddi

Joanna, who is wheelchair-bound after a horrific childhood attack, is a philanthropist who has funded a sports centre for paraplegics. She now plans to donate a large part of her wealth to the local church, but visions of a priest-looking figure carrying a blood-soaked doll start to haunt her…and whilst the apparitions seem to stem from Joanna’s traumatized psyche, they soon become horribly real! [Taken from the Shameless 2014 DVD release]

Opening with an almost dreamlike quality we witness a priest suspiciously approaching a young girl before throwing her doll away, perhaps symbolising the loss of childhood that is about to occur. Jump twenty-five years into the future and now grown up the young girl Joanna (Christina Nagy) is a paraplegic and keen archer, who is also romantically involved with her sports coach Craig (David Warbeck).

While this opening act provides us with some exposition and helps to frame the context in which the film will build on, such as Joanna’s precarious health; her relationship with best friend Ruth and the whirlwind romance with Craig, it is functional at best. The opening thirty minutes plod along barely managing to hold your attention and when the first act of real violence finally wakes us director De Martino does not take long to reveal the killer leaving the only mystery remaining being the motive. However even that doesn’t last long as we witness a tale of betrayal and greed that would be at home in any classic anthology horror movie.

Despite these pacing issues and a simplistic plot the script actually contains a few nicely written pieces of dialogue and a couple of moments of genuine quality as Warbeck plays psychological mind games in a bid to induce his sinister motives. Not to mention the possibility fans have to discuss the empowerment Craig feels when dressed up, seemingly changing both his manner and confidence. Although whether this was a premeditated decision by the film makers, Warbeck’s own contribution or simply pure luck we will sadly never know.

Now as stated the plot is a bit simplistic, especially for a mystery-thriller, and in a bid to throw a bit more complexity into the mix we have the additional character of Ruth. It transpires that Ruth is from the same city as Craig and is as equally cold-hearted and calculating as her City-mate. Although Joanna herself has a few surprises as well just to keep things interesting as the story eventually picks up in the final third with one scene in particular reminiscent of TORSO and many slashers of the period. If there was one criticism of the finale however it is almost regrettable to say but the sight of Joanna escaping from her would be killer slowly in a motorised wheelchair is almost comical and borderline implausible but thankfully De Martino has an answer for that and saves the day.

Credit has to go to the cast for making a hum drum affair just that bit better, with Warbeck in particular showing just why for a while he was so highly regarded before dropping into B-Movie obscurity. It is also surprising that the attractive and competent actress Carroll Blumenberg never went on to have a career in acting.

Sadly though FORMULA FOR A MURDER is just a bit bland for the most part and the slow build of the first act seeks sadly is not justified by the admittedly strong final act. Essentially FORMULA FOR A MURDER plays more like a TV movie, which perhaps says something about the state of the industry at the time. Those looking for a convoluted giallo won’t get it and there perhaps isn’t enough brutal violence to sate the fans of the more hardcore late eighties Italian output. That said if you can find it cheap enough, and often you can get some Shameless DVDs for just £3 it may be worth picking up as a curiosity.

Those with a keen ear might also pick up on a few seemingly familiar tunes within the soundtrack. The music was composed by Francesco De Masi, who might be a familiar name to fans of NAPOLI SPARA!, THE NEW YORK RIPPER and ESCAPE FROM THE BRONX. 

In fact those who are fans of Lucio Fulci’s misanthropic New York tale are certain to recognise the similarities between that films theme and one utilised in this movie while in the city. It is fair to say that it not so much informs it but rather is the basis of it. Unfortunately for De Masi his attempts to tweak what he had previously done fail to impress leading me to suspect that this was just a payday for the man but thankfully the score picks up and is quite strong on the whole.

Overall this film is perhaps more suited to being a short film in a collection and if you want to check out a superior tale of greed and betrayal (and is another one where you know who the killer is to boot) then I suggest checking out Luigi Cozzi’s THE KILLER MUST KILL AGAIN.

Version Reviewed:
I reviewed the 2014 Shameless DVD release which does look and sound fantastic. It comes with an anecdotal audio commentary from the Director of Photography Gianlorenzo Battaglia which is essentially a Q&A interview combined with his recollections of the filming as it plays. That is if Gianlorenzo actually remembers anything about this film as he goes on to say he has worked on a lot of films (including some fantastic ones like DEMONS) so couldn’t possibly remember much about each film, for example he doesn’t remember David Warbeck and keeps providing confusing and conflicting information on where scenes were shot. I guess he was the only person available at the time.

As well as the standard Shameless extras of a theatrical trailer and showcase real. Where Shameless have improved on their initial offering (and of course it greatly depends on the materials available) is in the inclusion of both English and Italian audio with English subtitles where required. Finally if you are or were lucky enough to pick this up new you would also receive a Shameless yellow mac, not the same as that worn by Warbeck but just as snazzy so when you need a light rain poncho you can be as sleazy as you want.

Finally be warned however the cover for the Shameless release does indicate somewhat about the actions of one of the characters but considering the film is over twenty years old we can forgive them for that.

Troll 2 (1990) by Claudio Fragasso


Alternative Titles: Trolls; Monster Valley
Director: Claudio Fragasso
Writers: Rossella Drudi, Claudio Fragasso
Year: 1990
Starring: Michael Paul Stephenson, George Hardy, Margo Prey, Deborah Reed

A family vacationing in a small town discovers the entire town is inhabited by goblins disguised as humans, and who plan to eat them.

Is this a sequel? Well yes and no, it was pitched on release as an unofficial sequel to the 1986 movie TROLLS, although it bears no connection either in terms of plot, production, cast or crew leaving us to surmise that really it is simply a bizarre attempt to cash in on what was a very minor cult success.

What is even more bizarre is that there are no actual trolls in this film but goblins instead, which ties into the original production title of TROLLS. Although why let a little thing like this stop anything, after all I don’t know or care about the difference, and it merely goes to highlight the films nonchalant attitude.

Now the film itself opens with Grandpa Seth reading the story of ‘Davy and the Goblins’ to his grandson, Joshua. He tells us of how Peter is tricked and eaten by the goblins. Wait, the story titled ‘Davy and the Goblins’ is about a guy named Peter? If that seems a little off, then next twist will certainly surprise you (don’t worry it is not really a spoiler) – it transpires that Grandpa Seth is actually dead and only Joshua can see him. His mother is aware of this morbid imaginary friend and tries to comfort her son with dialogue that you can only find in an Italian B-movie.

With this brief introduction to the goblins and the supernatural grandpa aspect over, we are quickly informed that the whole family, well the living ones at least, are off on a home-swap holiday with a family from the small rural town of Nilbog. Nilbog, immediately with this creative naming we know that things will not end well and young Joshua starts to suspect it too.

Finally before the road trip to this delightfully named town we are introduced to a ‘too cool’ teen sister, her immature boyfriend his friends, giving us with near certainty our first batch of goblin food. If this all sounds like the film has settled into a period of relative normality that is only because I am leaving out further odd dialogue and a peculiar family car sing song will leave you puzzled as a cacophony of sound makes its way out of your television.

Arriving at their holiday home, the family discovers a veritable feast laid out for them and although everything is green or layered with some green paste they don’t seem to mind. Not only does this look suspicious to us but also young Joshua, who seeing his grandpa again realises that something must be done to stop his family from eating the food and so he does the only thing that any of us would do in this situation and needless to say ruins the feast. Thankfully this part was not shown or at least on the version I saw.

Despite its (many) faults TROLL 2 actually has a pretty enjoyable first act but things step up a gear as the film introduces the resident town druid Creedence, whose family lineage can be traced back to Stonehenge, which is a little odd being a monument rather than a town or city, but this is just a technicality and as Creedence begins to chew the no doubt papier-mâché scenery you find yourself just going with it.

With things now in full swing and we are further treated to more great lines such as “She is one with the vegetable world, now she is food for my children” you start to get a greater understanding that there may be a little more substance or at least a message behind the story than the narrative to this point would have had you believe.

So it is a shame that so many things here are inadequate so often making TROLL 2 comes across as a GOOSEBUMPS style story, not that this is necessarily a bad thing. Putting any issues aside, and the film certainly does, the momentum continues to build and the wider context begins to come into frame and we learn that not only is Nilbog a vegetarian-only town but the townsfolk all have an almost pathological disgust towards meat products and the effects it has the anatomy.

It is rumoured that writer Rosella Drudi came up with the story for TROLL 2 when several of her friends became vegetarian at the same time, and rather than being a positive message for the lifestyle it seems more of a send-up of it and the way in which some people preach their new lifestyle towards those who do not adhere. Taking this approach then, perhaps to a certain extent that underlying criticism works and dare I even say it is a clever b-movie satire. Dare I say it out aloud?

Of course all good (and bad) things must come to an end and with another plot twist involving the ghostly instigator Grandpa Seth, a bit of violence and one of the strangest seduction scenes you are ever likely to see committed to celluloid everything is brought together but not fully explained leaving you wondering what you had just spent the last 90 minutes watching…but somehow at the same time glad that you did.

There is so much wrong with TROLL 2 that it is difficult to know where to start. For example despite being shot in Morgan, USA – where they actually held a TROLL 2 festival back in 2007 – and having an English speaking cast the dubbing is all over the place but this rather quaintly lends the film that Italian trash feel paradoxically adding to its charm.

So despite this, its continuity errors, abysmal dialogue (which it has been reported the suggestions in terms of grammar and accuracy by the native cast were rejected out of hand by Claudio Fragasso) and just nonsensical story this is an entertaining and (often unintentionally) hilarious movie that does exactly what you would expect from something that has the involvement of Claudio Fragasso and Joe D’Amato – that something is purely to entertain.

Essentially TROLL 2 is budget trash but fantastically so and as a result when people call it one of the worst films ever they do so with endearment rather than derision and is a must watch for any fan of low budget horror.

As a final point of interest I was slightly surprised to see that the costume designer was none other than the black Emmanuelle herself Laura Gemser (BLACK EMMANUELLE; EROTIC NIGHTS OF THE LIVING DEAD; CAGED WOMEN)  – that certainly must have made for an interesting time behind the scenes for the cast.