2018 I hardly knew thee


Well as we approach Christmas we are also approaching the end of the calendar year. One in which on a personal level not much of note has really happened and quite frankly on a cinematic level one in which for the first time in years I have barely watched any new releases.

HEREDITARY, HALLOWEEN and the reimagining of SUSPIRIA have all passed me by for one reason or another but I doubt any of these would usurp TERRIFIER as my horror film of the year. Although I am hoping to watch Lars Von Trier’s THE HOUSE THAT JACK BUILT soon as if the film is as good as the controversy is created then I think Art the Clown might have some competition.

So what have I been doing with my time if not watching new releases? Well I have just watched films as and when the opportunity presented itself. This year saw first viewings of French films Rififi (1955) and Mon Oncle (1958), of several Italian films produced throughout the years (including modern fare such as SMETTO QUANDO VOGLIO and FORGIVE OUR SINS) and of films from a variety of countries such as Spain, Romania and of course Britain.

In addition to this I have had another article published in issue 11 of the fantastic Wengs Chop magazine (on the Comissario Betti trilogy) and had my first ever DVD release cover quote! For the fantastic Italian short film UNDERCOVER MISTRESS by Giulio Ciancamerla, check it out.

Although I am quite happy that this year also saw me discover the upcoming film maker Dean Puckett with his short films THE SERMON and SATAN’S BITE. It is rare to find film makers from the South West of England to champion (last one was Ryan Haysom with his short film YELLOW) but hopefully 2019 will see a few more come through.

But what about 2019? Well aside from no doubt catching up on several films from 2018 that I missed as well as seeking to get my writing out through a couple of further publications (keeping this hush for now) and working on a few personal more creative projects.

So here’s to not spending 2019 in an alcohol-induced slumber watching films and barely managing to review or write about them!


From L’Avventura to Zombie 4!


I was cruising the mean streets of Twitter one day recently, well if Twitter could have streets but if it did then they would certainly be mean, and I stumbled upon a post by Russ Hunter aka @sorgono in which he referenced a book on Italian Horror Cinema which he co-wrote along with Stefano Baschiera (available from Edinburgh University Press).

After briefly chatting with Russ online I discovered a man with not just a passion for but also a phenomenal knowledge of Italian genre cinema and a passion for Italian zombie cinema in particular.

A man after my own brain…and not in a Richard Johnson kind of way. But back on track and I had to share with everyone a terrific presentation he gave earlier this year in Slovenia at the Kurja Polt genre film festival.

In the presentation Russ discusses how the foundations of Italian genre cinema were laid, the societal context in which these films were born and of course how all of this resulted in Italian zombie cinema. Give it a watch and the fellow a follow!

Get on you janner!



Director: Mattia De Pascali
Writer: Mattia De Pascali
Year: 2018
Starring: Andrea Canaiello, Nik Manzi, Donatella Reverchon, Oscar Stajano, Sereno Toma

A modern-day tragedy loosely based on Macbeth where the main character wants to conquer a fast-food restaurant chain instead of the Kingdom of Scotland. 

The synopsis of the film clearly states that this is a contemporary take of a Shakespearean classic and one would further assume, indeed I did, that this would be framed around a contemporary fast food joint, resulting perhaps in something like the American films WAITING (2005) crossed with THE FOUNDER (2016).

However MCBETTER plays more like a dynastic family struggle; a struggle for power and wealth with events unfolding within the mansion of a wealthy business man, Joe McBetter. The stakes though are for much more than just the future of the fast-food empire. De Pascali chooses to open the film with a televised mystic, a modern day witch if you will, providing encouragement to the portly figure of Malcom (Andrea Cananiello), a man who looks like a cross between Ron Jeremy and Joe Spinelli, and she tells our visually unlikely hero that his doubts are nothing and that he is the master of his own destiny. It is up to him to seize it.

Soon we learn that this is not strictly true as it is his girlfriend, Melanie (Serena Toma), who is really calling the shots. And as our power duo set off on a couples trip to her family home we start to grasp the extent of their duplicitous plans in which Melanie’s estranged father, the eponymous McBetter, is the key.

Much like Macbeth we are taken on a tale in which there are plans to usurp a king, to take and create a dynasty and the dangers of ambition but there is so much more in play here. From the quirky off-beat business idea of Malcom to the familial struggles of Melanie, MCBETTER works its black comedy into what at its heart is a much darker story…and it is all the better for it.

Throw in a doddering old housemaid, a young vivacious step-mother and her son, aptly named Little Joe, and you also have the recipe for a dysfunctional family drama in which talking solves nothing forcing our scheming duo into more drastic action. But they aren’t the only ones who are willing to go to such lengths.

By keeping the tone relatively consistent through his script Mattia De Pascali gives himself the leeway to experiment with visual styles (some of the lighting is positively Mario Bava or Dario Argento-esque) and tones as required by whichever strand of the story the narrative is following. While at just over one hour ten minutes long the film is perfect length, not once overstaying its welcome.

There are plenty of influences competing inside of MCBETTER but thankfully none of them overpower or unbalance the final project and as debuts go Mattia De Pascali has made a darkly comic tale which takes the themes of Shakespeare’s Macbeth and updates it with some Wes Anderson (RUSHMORE; THE ROYAL TENENBAUMS; ISLE OF DOGS) sensibilities and Italian style. 

Thanks to decent performances, strong direction and varied cinematography MCBETTER is an accomplished debut that is worthy of your time, but this is hardly surprising considering it features a supporting crew that includes David Bracci, Lucio Massa and Giulio Ciancamerla – all names who are growing in stature in the independent Italian scene.

Despite all of this I do worry that MCBETTER will be resigned to playing only a few festivals outside of its home country as has happened with many independent Italian films before BUT if it can get exposure I know it will find a fanbase, if in all likelihood only a small one.

However if you like quirky dark comedies, fancy taking a risk (check out the trailer below) and don’t mind ordering from (mainland) Europe then you will be able to pick up the film on DVD and Blu-ray in November as it gains a release from Home Movies.

Follow the film on Facebook.

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The Journey Begins…again


Ciao a tutti!

Hi all, due to the contract with my old webhost (Wix) for cosiperversa.com running out and all web platforms requiring you to pay for their premium services just to use your own domain name (which also comes at a cost) I’ve decided to jack it (huh huh) in with the paid site lark, particularly as I don’t think any of them offer value for money at the level I use it for.

So with that in mind I decided to just jump across and forget the named website business and all that jazz, but most importantly cost, that comes with it and blog it up.

Although this change also marks a great opportunity to review my work so far, which varies in quality from when I started out and I will port over the good, leave the bad to rot in cyber-hell and increase my focus on European cinema which is what I had always intended to do but seem to have got lost somewhere on the way.

A presto!